Doris Ober

Selected Work

Memoir
The Dogtown Chronicles, Our Life and Times with Sheep, Goats, Llamas, and Other Creatures
A middle-aged couple of escaped New Yorkers become shepherds in the rural outpost of West Marin California, and learn much about life—and about death—from the experience.
Prose, Poetry, and Art
West Marin Review
managing editor
A literary/art journal with works by locals and visitors to this very special northern California community. Blair Fuller, Joanne Kyger, Linda Pastan, Philip Fradkin, Terry Tempest Williams are some of the better known contributors to Volume 2.
English/Spanish Language
Thousands of Words You Already Know in Spanish: 3024 Common, Useful, Spanish Nouns, Verbs, and Adjectives already in Your Vocabulary
with Richard Kirschman
“It says, Go ahead, give this language a try; you’ve already got the vocabulary.”
--San Francisco Chronicle
Nonfiction
Finding Hope When a Child Dies: What Other Cultures Can Teach Us
with Sukie Miller, Ph.D.
“This is the best book on parental grief that I have seen.”
--Seattle Times
Portraits
Sometimes My Heart Goes Numb: Love and Caregiving in a Time of AIDS
with Charles Garfield and Cindy Spring
“An extremely valuable source of information.... Your heart will be touched and your mind opened.”
--Bernie Siegel, M.D., author of Love, Medicine, and Miracles

West Marin Review

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The West Marin Review, for which I'm managing editor, is a community partnership between a popular local book store (Point Reyes Books), a community non-profit organization (Tomales Bay Library Assoc.), and friends and neighbors. The book features both fine and homespun art, prose, and poetry. Without our trying to make it so, the works in the Review's first volume and this second one share an appreciation for the natural world, an attention to the details of life and the vastness of it, and honest perspectives on subjects from agrarian to urbane.

Most content is selected by "reviewers": a panel for poetry, one for prose, and a team of artists reviewing art. Some pieces are solicited. Our contributors, residents and visitors to West Marin, are from everywhere—East Coast, West Coast, South of the Border, overseas—and they are every sort of people: in addition to professional writers, artists, and poets, there are psychotherapists, teachers, students, innkeepers, house cleaners, carpenters, and at least one attorney and one firefighter that we know of.

In this issue, poetry, prose, and art are direct and oblique, whimsical and serious, inward observing and outward observing. You'll find history in a story here, in a mural, in yellowed cross-written letters preserved by a family; you'll see art in a poet's handwritten poem, in the serendipity of pinhole photographs; and you'll glimpse evidence of the poets' and the artists' way of seeing, microscopically and magnificently.

Description of new work